{"id":225,"date":"2018-05-18T23:55:54","date_gmt":"2018-05-18T23:55:54","guid":{"rendered":"https:\/\/prometeo.work\/?page_id=225"},"modified":"2023-10-03T21:39:56","modified_gmt":"2023-10-03T16:39:56","slug":"revista-de-estudios-colombianos-n33-y-34","status":"publish","type":"page","link":"https:\/\/colombianistas.org\/wordpress\/index.php\/revistas-anteriores\/revista-de-estudios-colombianos-n33-y-34\/","title":{"rendered":"REVISTA DE ESTUDIOS COLOMBIANOS N\u00b033 y 34"},"content":{"rendered":"<h6 style=\"padding-left: 30px;\">2009<\/h6>\n<p style=\"padding-left: 30px;\"><strong>Introducci\u00f3n<br \/>\n<\/strong><strong>\u2022 <\/strong><a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Introducci%c3%b3n\/2.REC_33-34_GomezOcampo.pdf\" target=\"_blank\" rel=\"noopener\">Carta de los Directores<\/a><\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Introducci%c3%b3n\/3.REC_33-34_JuanaSuarez.pdf\" target=\"_blank\" rel=\"noopener\">El cine colombiano: \u00bfes posible otra mirada?.<\/a> Juana Su\u00e1rez<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/El%20oficio%20de%20director\/4.REC_33-34_VictorGaviria.pdf\" target=\"_blank\" rel=\"noopener\"><strong>El o\ufb01cio de director<\/strong><\/a><br \/>\n\u00bfPor qu\u00e9 hago cine?. V\u00edctor Gaviria<\/p>\n<p style=\"padding-left: 30px;\"><strong>Art\u00edculos<br \/>\n<\/strong>\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Art%c3%adculos\/5.REC_33-34_JaimeCorrea.pdf\" target=\"_blank\" rel=\"noopener\">La constituci\u00f3n del cine colombiano como objeto de estudio: entre los estudios cinematogr\u00e1\ufb01cos y los estudios culturales.<\/a> Jaime Correa<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Art%c3%adculos\/6.REC_33-34_LilianaCastaneda.pdf\" target=\"_blank\" rel=\"noopener\">The Post-Neoliberal Colombian Film Policy.<\/a> Liliana Casta\u00f1eda L\u00f3pez<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Art%c3%adculos\/7.REC_33-34_DavidWood.pdf\" target=\"_blank\" rel=\"noopener\">Popular Culture, Violence and Capital in 1980s Colombian Cinema.<\/a> David Wood<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Art%c3%adculos\/8.REC_33-34_MInesMartinez.pdf\" target=\"_blank\" rel=\"noopener\">Incesto, vampiros y animales: La Violencia colombiana en Carne de tu carne de Carlos Mayolo.<\/a> Mar\u00eda In\u00e9s Mart\u00ednez<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Art%c3%adculos\/9.REC_33-34_MariaOspina.pdf\" target=\"_blank\" rel=\"noopener\">El Colombian Dream y los sue\u00f1os de un nuevo cine colombiano.<\/a> Mar\u00eda Ospina<\/p>\n<p style=\"padding-left: 30px;\"><strong>Entrevistas<br \/>\n\u2022 <\/strong><a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Entrevistas\/10.REC_33-34_RamiroArbelaez.pdf\" target=\"_blank\" rel=\"noopener\">Vivo, recordado y recordando. Entrevista con Guillermo Rib\u00f3n Alba.<\/a> Ramiro Arbel\u00e1ez<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Entrevistas\/11.REC_33-34_PedroZuluaga.pdf\" target=\"_blank\" rel=\"noopener\">El cine por encima de todo. Entrevista con Andi Baiz.<\/a> Pedro Adri\u00e1n Zuluaga<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Entrevistas\/12.REC_33-34_JuanaSuarez.pdf\" target=\"_blank\" rel=\"noopener\">El regreso al cine por la palabra escrita. Entrevista con Jorge Franco.<\/a> Juana Su\u00e1rez<\/p>\n<p style=\"padding-left: 30px;\"><strong>Rese\u00f1as<br \/>\n\u2022 <\/strong><a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/13.REC_33-34_KevinGuerrieri.pdf\" target=\"_blank\" rel=\"noopener\">Largometrajes colombianos en cine y video 1915-2004<br \/>\nDocumentales colombianos 1915-1950<br \/>\nPublicaciones peri\u00f3dicas de cine y video en Colombia 1908-2007<\/a><br \/>\nKevin Guerrieri<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/14.REC_33-34_CesarAlzate.pdf\" target=\"_blank\" rel=\"noopener\">Garc\u00eda Saucedo, Jaime. Diccionario de literatura colombiana en el cine.<\/a> Cesar Alzate Vargas<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/15.REC_33-34_AlvaroBaquero.pdf\" target=\"_blank\" rel=\"noopener\">\u00a1Acci\u00f3n! Cine en Colombia.<\/a> \u00c1lvaro Baquero Pecino<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/16.REC_33-34_NayibeBermudez.pdf\" target=\"_blank\" rel=\"noopener\">Arboleda R\u00edos, Paola y Diana Patricia Osorio. La presencia de la mujer en el cine colombiano.<\/a> Nayibe Berm\u00fadez Barrios<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/17.REC_33-34_OswaldoOsorio%20(1).pdf\" target=\"_blank\" rel=\"noopener\">Cort\u00e9s Zabala, Diego Mauricio. La ciudad visible: una Bogot\u00e1 imaginada.<\/a> Oswaldo Osorio<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"https:\/\/colombianistas.org\/\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%C3%B1as\/18.REC_33-34_HectorFernandezR.pdf\">Jaramillo Morales, Alejandra. Naci\u00f3n y melancol\u00eda: narrativas de la violencia en Colombia (1995-2005).<\/a> H\u00e9ctor Fern\u00e1ndez L\u2019Hoeste<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/17.REC_33-34_OswaldoOsorio.pdf\" target=\"_blank\" rel=\"noopener\">Mora Forero, Cira In\u00e9s y Adriana Carrillo. Hechos colombianos para ojos y o\u00eddos de las Am\u00e9ricas.<\/a> Oswaldo Osorio<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/20.REC_33-34_MaInesMartinezR.pdf\" target=\"_blank\" rel=\"noopener\">Mayolo, Carlos. La vida de mi cine y mi televisi\u00f3n.<\/a> Mar\u00eda In\u00e9s Mart\u00ednez<\/p>\n<p style=\"padding-left: 30px;\">\u2022 <a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Rese%c3%b1as\/21.REC_33-34_LuisDuno.pdf\" target=\"_blank\" rel=\"noopener\">Ospina, Luis. Palabras al viento: mis sobras completas.<\/a> Luis Duno-Gottberg<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"\/wordpress\/wp-content\/themes\/pleasant\/REC\/REC%2033-34\/Cr%c3%a9ditos\/1.REC_33-34_Creditos.pdf\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00e9ditos<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2009 Introducci\u00f3n \u2022 Carta de los Directores \u2022 El cine colombiano: \u00bfes posible otra mirada?. Juana Su\u00e1rez El o\ufb01cio de director \u00bfPor qu\u00e9 hago cine?. V\u00edctor Gaviria Art\u00edculos \u2022 La constituci\u00f3n del cine colombiano como objeto de estudio: entre los estudios cinematogr\u00e1\ufb01cos y los estudios culturales. Jaime Correa \u2022 The Post-Neoliberal Colombian Film Policy. Liliana Casta\u00f1eda L\u00f3pez \u2022 Popular Culture, Violence and Capital in 1980s Colombian Cinema. David Wood \u2022 Incesto, vampiros y animales: La Violencia colombiana en Carne de tu carne de Carlos Mayolo. Mar\u00eda In\u00e9s Mart\u00ednez \u2022 El Colombian Dream y los sue\u00f1os de un nuevo cine colombiano&#8230;. <\/p>\n","protected":false},"author":20,"featured_media":0,"parent":52,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-no-sidebar.php","meta":{"footnotes":""},"class_list":["post-225","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/225"}],"collection":[{"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":5,"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/225\/revisions"}],"predecessor-version":[{"id":2770,"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/225\/revisions\/2770"}],"up":[{"embeddable":true,"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/52"}],"wp:attachment":[{"href":"https:\/\/colombianistas.org\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}