Post-Conflict Visual Ecologies: Violence and Slow Violence in Chocó by Jhonny Hendrix Hinestroza and La tierra y la sombra by César Augusto Acevedo

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Camilo Malagón
https://orcid.org/0000-0002-6743-4749

Abstract

This article explores the imbrication of violence and slow violence in the films Chocó (2012) by Jhonny Hendrix Hinestroza and La tierra y la sombra (2015) by César Augusto Acevedo. Specifically, I study the connections between representations of the Colombian conflict and systemic violence and representations of ecological crisis to show how this imbrication provides a possibility for a wide discussion on how to understand the Colombian post-conflict through a lens that pays attention not only to the direct consequences of the conflict, but considers ecological questions in our thinking of the Colombian post-conflict.

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Author Biography

Camilo Malagón, Ithaca College

He is Assistant Professor of Spanish in the Department of Modern Languages and Literature at Ithaca College in Ithaca, NY (USA) since the fall of 2019. He researches contemporary Latin American literature, film and digital culture with a focus on theories of space, place and globalization.