Neogranadine Music: a Space Inhabited by Women
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The article explores the contact between women and music in the Nueva Granada cultural context. With support from primary and secondary sources –including literary texts– it is confirmed that women had access to musical instruments, and teachers of music and singing, and participated as consumers, composers, and performers of music. In addition to exploring the relationship of women to music within religious communities, this article explores the impact of monastic music on secular female society -- contributing to fill a bibliographic gap. As this work shows, music makes possible a new ludic space in the construction of the feminine identity in Colonial times.
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