The "Niña-niña": Expressiveness and Legibility of Gender Violence in Los divinos by Laura Restrepo
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Abstract
Los divinos offers an exceptional picture to evaluate the place of girls in the discourse written on female bodies by sexist violence. Restrepo resorts to the archetype of the "monster," which she contrasts with that of the "Niña-niña," to expose the violence intrinsic to a society that idealizes dominant masculinity. Restrepo refutes the uniqueness attributed to the femicide of Yuliana Samboní, which she places as a mirror of the culture of violence in Colombia. Her sacralization of the "Niña-nina" also reveals the limits imposed by the mythification of innocence on the defense of women's rights.
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