Sound Excavations in Memoria: Colombia through a Transnational Lens

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Esta es la portada de la revista *Revista de Estudios Colombianos*. El título está destacado en la parte superior con una fuente moderna y en negrita. Debajo del título, los detalles de publicación indican que es el número 66, correspondiente a julio-diciembre de 2025. La revista es publicada por la Asociación de Colombianistas. En el fondo, hay una obra de arte texturizada que presenta tonos de turquesa y blanco, representando olas del océano estrellándose contra acantilados rocosos. Los colores evocan un sentido de movimiento y belleza natural, contrastando con el texto estructurado en la parte superior. English Description This is the cover of the journal Revista de Estudios Colombianos. The title is prominently displayed at the top in a bold, modern font. Below the title, the publication details indicate it is issue number 66, covering July to December 2025. The journal is published by the Association of Colombianists. In the background, there is a textured artwork featuring shades of turquoise and white, representing ocean waves crashing against rocky cliffs. The colors evoke a sense of movement and natural beauty, contrasting with the structured text above.
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Published: Jan 16, 2026
DOI: https://doi.org/10.53556/t0syc830
Keywords:
Colombian cinema, Colombian Internal Conflict, Historical Memory, Transnational Cinema, Apichatpong Weerasethakul

Main Article Content

Daniel Coral Reyes
Macalester College

Abstract

As the first film by Thai director Apichatpong Weerasethakul to be produced in a foreign country, Memoria (2021) serves as a reflection on the construction of historical memory and empathy within a transnational context. In addition to the contrast between the countryside and the city, Memoria deploys a slow, contemplative cinematography to examine the multiple temporalities of violence in Colombia. Filmed in 2019, Weerasethakul’s drama illustrates the dynamics of multidirectional memory, as conceptualized by Michael Rothberg —a model that explores how different historical memories intersect in the public sphere to challenge dominant narratives and propose scenarios of solidarity.

Article Details

Issue
Vol. 66 (2025)
Section
Articles
Author Biography

Daniel Coral Reyes, Macalester College

Daniel Coral Reyes es un becario de posdoctorado en el departamento de español y portugués en Macalester College. Su área de investigación se sitúa en el entrecruzamiento entre el cine latinoamericano contemporáneo y la construcción de la memoria histórica.